Big Love, a show I’ve watched and enjoyed on HBO for five seasons, aired its final episode on Sunday night. I can’t say that Big Love is one of my favourite shows, but I’ve always found it entertaining. The best thing about it for me is the huge number of non-stereotypical female characters it presents. Bill Henrickson’s three wives — Barb (played by Jeanne Tripplehorn), Nicki (Chloe Sevigny), and Margene (Ginnifer Goodwin) — are the three main women on the show, and the most fully-developed. But plenty of other intriguing women have shared the stage with them, notably: Sarah (Amanda Seyfried), Bill and Barb’s teenaged daughter; Bill’s mother Lois (Grace Zabriskie) and Nicki’s mother Adaleen (Mary Kay Place), both of whom were brought up at the polygamist compound, Juniper Creek; other compound-raised women including problem child Rhonda, Nicki’s daughter Cara Lynn, Bill’s unstable sister-in-law Wanda, twins Kathy and Jodeen, the androgynous Selma Greene, and Alby’s wife Laura; and regular Mormon women like Barb’s mother (played by Ellen Burstyn!) and sister, Sarah’s friend Heather, and the Henricksons’ neighbour Pam. Basically, Big Love was overrun with female characters, most of whom didn’t quite fit into any of the normal roles for women on TV.
The show placed all these women in a highly repressive, male-dominated society, and yet they were the ones who shone; they were, at least in my opinion, generally far more likeable (with a few notable exceptions *cough* Rhonda *cough*) and almost always much more intriguing than their male counterparts. Series creators Mark Olsen and Will Scheffer said in an interview for TVLine that it was always their intention to make the show about the women:
Scheffer: The show has always been a feminist show, which I think people didn’t always understand. And some people were put off by the fact that these women were quote-unquote under the thumb of a patriarchal jerk. But it’s always been a show about the bonds between women, about the way that women subvert power when they’re in [oppressive] situations.
I thought last night’s finale, entitled “Where Men and Mountains Meet,” did an excellent job of bringing this fact home. In the process, it made a few very interesting statements about its lead male character, Bill Henrickson (played by Bill Paxton), and his role in the world and his family. It was a solid finale: less spectacular than many shows’ final episodes (for me, Angel and Six Feet Under are the standard bearers for TV endings), but satisfying nonetheless. I felt the writers succeeded at wrapping up most of the many ongoing story arcs — which is pretty impressive, because after the penultimate episode I couldn’t imagine how they’d possibly tie up the seemingly endless different plot threads in just one episode — and left viewers with some ideas to ponder. The more I think about “Where Men and Mountains Meet,” the more I like it.
For a few of my thoughts on the episode, follow the jump.