Nothing But Memory
Posts Tagged captain america

Marvel Movies Project: Best & Worst

After five months and 27 films, I am finally finished this Marvel Movies Project. It was a fun experience; even if a few of the movies are not of the highest quality, it was still interesting to go back and watch them all in order, seeing the evolution (and ups and downs) of Marvel on film. To wrap up, here are some of my picks for the best and worst of Marvel Movies.

Best Movies

  1. Spider-Man 2
  2. The Avengers
  3. Spider-Man
  4. Thor
  5. Iron Man
  6. X2
  7. Captain America: The First Avenger

I tried to pick a top five, but I couldn’t get it below seven. Then I tried to do a top 10, but I also couldn’t justify a number higher than seven (although X-Men came close to making the list). Basically, I think these seven are pretty easily the cream of the Marvel crop. They all feature solid casts, directors, writing, and effects, and all tell really good stories with a good mix of humour, action, and drama. All are also fun to watch — an important quality in a comic book movie.

Worst Movies

  1. Ghost Rider: Spirit of Vengeance
  2. Punisher: War Zone

Again, I tried to make a top five but although there are definitely some other bad Marvel movies, I feel these two stand out in terms of total suckitude. Something like Daredevil is bad, yes, but it at least doesn’t feel like it was intended to go straight to video. Both these films are also significantly worse and more painful to watch than their predecessors.

Worst Threequels

  1. Blade: Trinity
  2. X-Men: The Last Stand
  3. Spider-Man 3

Only three Marvel franchises have made it to three instalments, and in all three cases the third instalment has been a huge step down in quality for the franchise. The first two Spider-Man movies: amazing. The first two X-Men movies: astonishing. The first two Blade movies: well, they were pretty good horror/action films. Unfortunately, Blade: Trinity features an insulting script aimed directly at the lowest common denominator, X-Men: The Last Stand sees almost all prior character development tossed out the window along with the characters’ principles, and Spider-Man 3 turns its lead character into an unsympathetic jerk to make a point about … something. The terrible threequel: a worrying trend for Marvel.

So yeah, who’s looking forward to Iron Man 3!? Don’t worry; it’s the first Marvel Studios threequel so I’m sure none of this applies to it and I will in no way regret using a vacation day to go see it on May 3.

The Noble Failure Award

I cannot in good conscience call Hulk a good movie, but I can at least see that the filmmakers were trying to do something interesting with it. Although it is a bloated, boring mess, it gets credit for its ambition.

Most Improved by Time and Lowered Expectations

Elektra, which actually seemed pretty decent this time around. It’s not a masterpiece, but in terms of comic book movies about women — a very small and not very illustrious group — it might be the best. Which also goes to show that we need more comic book movies about women.

Most Unnecessary

I’ve been told over and over by my friends from the local comic book store that the Raimi Spider-Man films have not aged well, and The Amazing Spider-Man is a big improvement. I guess this proves that even cool people can be wrong, because nothing will convince me that The Amazing Spider-Man is anything more than a tired rehash of something that was done much, much better just a decade ago. Even if it was a good movie, which it isn’t, but hypothetically — the point is, you’ve still already seen it. Recently.

Key Actors

There are two actors whose performances I think have essentially built the Marvel movie world: Hugh Jackman and Robert Downey Jr. Wolverine is of course one of Marvel’s most well-loved characters, and Jackman’s excellence ensured that his popularity carried over to the big screen. Plus, the guy has appeared in five films, with two more on the way. It’s impressive. Downey, meanwhile, deserves a huge amount of credit for the success of Phase One of the Marvel Cinematic Universe. If Iron Man had tanked, things might have gone very differently for Marvel Studios. That it didn’t is in large part thanks to his charismatic presence.

Other than those two, I think Wesley Snipes has to get some credit; after all, it was Blade‘s surprising success that ushered in the modern Marvel movie era. Chris Evans is the standout actor to have played more than one Marvel character. Steve Rogers and Johnny Storm are both major figures in the Marvel universe, and Evans is great as both.

Best Female Performances

The X-Men movies give us the most to choose from here: Famke Janssen (Jean), Anna Paquin (Rogue), and Rebecca Romijn (Mystique) stand out for me, and I also think their characters are the three most interesting female mutants in the movies. In terms of love interest type roles, I like Kirsten Dunst as Mary Jane a lot. Hayley Atwell and Natalie Portman are also very strong in Captain America and Thor. Speaking of Thor, I would be remiss if I didn’t mention Kat Dennings’ hilarious performance. Rosemary Harris is wonderfully warm and grandmotherly as Aunt May in the Raimi Spidey films.

But most of all, there is Scarlett Johansson, who is doing spectacularly as the Black Widow and giving Marvel its first legitimate shot at making a really good female-centred movie, if they would just freaking take her up on it.

Best Villainous Performances

  1. Tom Hiddleston as Loki in The Avengers
  2. Ian McKellen as Magneto in the X-Men trilogy
  3. Michael Fassbender as Magneto in X-Men: First Class

Magneto just has a certain … animal magnetism. Unfortunately for him, he got Loki’d.

Best Comedic Performances

  1. Chris Hemsworth and Kat Dennings in Thor
  2. Mark Ruffalo/CGI Hulk in The Avengers
  3. Robert Downey Jr. in Iron Man, Iron Man 2, and The Avengers
  4. Chris Evans and Michael Chiklis in Fantastic Four
  5. Tobey Maguire in the Spider-Man trilogy

It’s true that, strictly speaking, these aren’t all 100% comedic performances, but they all have very funny aspects and I would say the movies listed are the funniest Marvel movies. I would also give an honourable mention to Sam Rockwell as Justin Hammer in Iron Man 2, because he’s so absurd and Tony’s hatred of him is so hilarious.

Tobey Maguire has a lot of haters for some reason I do not understand, but just think back to the sequence in Spider-Man 2 where Peter, having given up being Spider-Man, dons his glasses and happily goes about his everyday nerdy life. It’s very funny stuff. How much of the “comedy” in Spider-Man 3 is intentionally funny, or funny at all, is very debatable, but I think credit goes to Maguire for trying to go along with whatever Sam Raimi was trying to do.

Best Action Sequences

  1. The Avengers: Helicarrier Attack
  2. Spider-Man 2: Train (the Bank/Saving May sequence is also superb)
  3. X2: Wolverine Is the World’s Most Badass Babysitter
  4. Iron Man: Building the Suit/First Flight (this is a bit of a cheat because it could include most of the movie, but hey)
  5. Spider-Man: Wall-Crawling & First Webs

It’s tough to pick just a few scenes from 27 such action-packed movies. In the end, though, there’s a handful that stand out.

Best Cast

The Avengers wins this automatically, but other than that: Sam Raimi’s Spider-Man trilogy has a truly marvellous cast. Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Cliff Robertson, Willem Dafoe, Alfred Molina, J.K. Simmons (who is like the old Spidey cartoon come to life), Elizabeth Banks, Bill Nunn, and Ted Raimi are all fantastic. They also have great chemistry as a group.

The cast of Thor would be my other choice. The Asgardians: Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Idris Elba, Rene Russo, Jaimie Alexander, Josh Dallas, Ray Stevenson, and Tadanobu Asano, plus Colm Feore as Laufey. The Earthlings: Natalie Portman, Stellan Skarsgard, Kat Dennings, and Clark Gregg, with a cameo from Jeremy Renner. All of these people are good actors, and incredibly, almost all of them make a memorable impact on the movie.

Best Stan Lee Cameo

As much as I hate The Amazing Spider-Man‘s existence, I do love Stan Lee’s appearance as an oblivious school librarian. However, his cameos in the Iron Man movies as “Hugh Hefner” and “Larry King” would probably top the list if not for the fact that he plays the FF’s lovable mailman, Willie Lumpkin, in Fantastic Four.

Some Favourite Dialogue

“That’s my secret, Captain. I’m always angry.” – Bruce Banner, The Avengers

“I need a horse!”
“We don’t have horses, just dogs, cats, birds …”
“Then give me one of those large enough to ride.”exchange between Thor and a pet shop employee, Thor

“This is really … heavy …” – Peter Parker, Spider-Man 2

Those are my impressions of the movies themselves. I’ll be back tomorrow with a few final thoughts on comic book movie adaptations in general, and that will be my very last Marvel Movies Project post (as far as I know). My goal was to finish before Iron Man 3 — I made it!

Marvel Movies Project: The Avengers

Movie poster for The Avengers (2012).

There was so much buildup to The Avengers (2012), it was hard to imagine it wouldn’t in some way be disappointing. Five movies — Iron ManThe Incredible Hulk, Iron Man 2, Thor, and Captain America — with shared continuity. Even more impressively, five hit movies — average worldwide box office: $458 million … ! — that were all pretty good — average score on Rotten Tomatoes: 78% fresh.

Certainly, if you look at a combination of critical and commercial success, all the Phase One Marvel Cinematic Universe movies were more successful and better regarded than almost every Marvel movie product released since Spider-Man 2 came out in 2004. There had been massive financial success with Spider-Man 3 and X-Men: The Last Stand, but both those movies were kind of sucky and owed all their success to the outstanding movies that preceded them. Of the 17 Marvel movies released between Spider-Man 2 and The Avengers, only X-Men: First Class matched the MCU movies in being both good and financially successful.

The continuity in these movies was also handled brilliantly, with the storylines of the major players established in their own movies, new characters like Black Widow and Hawkeye gradually phased in as bit players, the use of SHIELD personnel to tie everything together, and of course the tantalizing bits of information revealed in the post-credits scenes which helped to establish the fact that all five films were set in the same world. Marvel really did manage to create a true “cinematic universe,” and they did it very well. It’s an impressive achievement.

An extended buildup full of geek-friendly references. A tradition (albeit a brief one) of high quality. Lots and lots of hype. Add to this the fact that none other than Joss Whedon, king of the geeks, was hired to write and direct The Avengers and you’ve got a recipe for nerd nirvana, or possibly total nerd meltdown if the movie sucks. Can you imagine? If, after all that, they’d delivered another Spider-Man 3, or worse … it would have been a Hulk-sized (or Hulk-sized) disappointment.

I have to admit I was at least a bit concerned about this possibility because, as much as I love Joss, and I do love him — Buffy the Vampire Slayer is my favourite TV show of all time, Angel is also in my top five, Firefly isn’t far behind and Serenity is probably one of my 10 favourite movies — I hadn’t been terribly impressed with anything he’d done post-Serenity. Dollhouse was just ok. I was one of the few not wowed by Dr. Horrible and The Cabin in the Woods. I really don’t care for his more recent comics; the Buffy and Angel comics in particular are awful (to be fair, he didn’t write all those, but the fact that he was involved at all is bad enough).

Luckily for me, it seems Joss had been saving up all his creative superpowers from the last seven years specifically for this project, and The Avengers turned out to be one of the most awesome movies ever made. “Awesome” is the only word for it, too, or maybe “epic” would suit it as well; it’s a superhero movie on a massive scale, as befits the combined powers of its cast of Earth’s Mightiest Heroes.

And it’s most definitely a Joss Whedon movie. The Avengers is full of his trademark snappy dialogue, pop culture references (only one of which Captain America understands), and Whedony turns of phrase. Agent Coulson, Hawkeye, and Nick Fury have a bit of a Firefly-esque lilt to some of their lines, but Tony Stark, who wouldn’t sound out of place on Buffy, is probably the most typically Whedonesque-sounding character. That said, one of Joss’ greatest strengths as a writer is his ability to change things up when necessary and give different characters individual voices — an essential skill for someone writing a movie featuring characters with styles as different as Thor, Captain America, and Iron Man — and he does an excellent job of that here. No sarcasm from Captain America, no slang from Thor.

The dialogue in The Avengers takes a back seat to the action, though. This movie redefines the term “action-packed.” It is overflowing with action: just when I thought there couldn’t possibly be another big fight scene, there was. Everyone in the film, from Thor to Maria Hill, is an extreme badass, and they all get ample opportunities to show their stuff. It’s a ridiculous amount of action, really, almost too much, but it never gets boring or repetitive. Just as each character has a different voice, each one also brings something very different to the mix in terms of action: Black Widow’s incredible athleticism, Thor’s godlike powers, Iron Man’s high tech weaponry, the Hulk’s brute strength, Hawkeye’s perfect aim, Captain America’s strength, leadership, and quiet heroism.

I can’t help comparing The Avengers to the other Joss Whedon movie I saw last year: his adaptation of Shakespeare’s Much Ado About Nothing. On the surface I suppose they don’t seem very similar, though they do have a few cast members in common (most notably Clark Gregg). When you look deeper … they’re still not that similar. But the point is this: both movies are action-based. When I heard Joss was doing a Shakespeare adaptation, I wondered how it could really be a Joss Whedon project without Joss Whedon’s dialogue. When I saw the movie, though, I found it to be very much in his style: all the “Jossiness” of the thing came through in the way the actors delivered their lines, and in some really outstanding physical comedy. The actors’ gestures and body language act as dialogue.

This same phenomenon happens with the action in The Avengers. The characters reveal their natures through their fighting styles, and Joss’ style comes through this way as well. There are some unexpected, creative, and hilarious moments mixed in with all that ass-kicking; for example, the Hulk attacking a fighter jet (“Target angry! TARGET ANGRY!!”), the Hulk randomly punching Thor in a quiet moment, and of course the Hulk doing this:

The Hulk smashes Loki. Puny god.

Which is one of the best things ever presented on screen. (Image credit: ~unitedcba @ deviantART.) The Hulk is one of the highlights of this movie, no question, and the best example of the “character revealed through action” idea. This version of the Hulk, rather than being nothing more than an inarticulate cartoon rage monster who really likes Betty Ross, has a personality, and it turns out he’s kind of an asshole.

All “deeper” considerations aside, the action is also really cool in a sort of comic book fan wish fulfillment kind of way. Who didn’t want to see Thor fight the Hulk, am I right??

Right. I’m at over 1,000 words in this post and I haven’t even mentioned Loki. Tom Hiddleston gives one of the all-time great comic book movie villain performances and almost manages to steal the movie … from six heroes. I would never have guessed this was possible.

I also haven’t mentioned the great chemistry between the team members and the relationships they develop. The history between Clint and Natasha is intriguing and I’d like to see more of it. (Hey, Marvel! Give Black Widow her damn spinoff!) I also enjoyed the “science brothers” vibe between Tony and Bruce, and Coulson’s fanboying of Captain America. But my favourite relationship is probably the one between Steve and Tony, who grow to respect each other as Tony makes the very same sacrifice play Steve made at the end of Captain America.

I feel like I could probably write 10 million words about how awesome this movie is and how much I love it, but that’s more than enough for now. The first time I saw it, I remember realizing I had a huge smile on my face about halfway through when it occurred to me that The Avengers was actually, improbably living up to my expectations. If I have one complaint about the movie, it’s that I think the Steve Rogers deleted scene should have been left in because the whole thing with the diner waitress, which is actually really lovely when you see the deleted scene, makes no sense without it. What I am saying is that this movie could have been even more awesome. I know that sounds ridiculous, but it’s true.

Well done, Marvel. Well done, Joss. Can’t wait to see what you’ll do with Phase Two.

Joss Whedon: a hero to geeks everywhere.

Marvel Movies Project: Captain America: The First Avenger

Movie poster for Captain America (2011).

Despite having the word “first” in its subtitle, Captain America: The First Avenger (2011) is actually the last of the pre-Avengers setup movies. Captain America is the first Avenger chronologically speaking — although really, having been worshipped by the Vikings, Thor predates pretty much everyone — but he’s the last member of this Avengers team we’ll meet on screen.

Most of the events of this movie take place in the 1940s just after the United States’ entry into World War II. We meet the weakling Steve Rogers, who wanted nothing more than to serve his country but couldn’t because his small body betrayed him. (The puny Chris Evans special effects are amazing! How’d they do that? Here’s how.) Rogers’ determination to join the service catches the attention of Dr. Erskine, a scientist who’s working on a top secret super soldier serum project. Steve becomes the pilot subject for Erskine’s experiment and emerges from it with superhuman powers, which he immediately puts to good use chasing down an assassin who’s been sent in by the Germans to take out Dr. Erskine. This is one of the most entertaining discovery-of-powers sequences in the Marvel movieverse, almost up there with the first Spider-Man movie.

Denied the chance to go into active battle after Dr. Erskine’s death, Steve, in his new identity as Captain America, becomes a sort of mascot for the military. He travels around selling bonds and performing in a live stage show in which he punches out an actor playing Hitler — a reference to the cover of the very first Captain America comic book from 1941. Captain America Comics #1 came out about a year before Pearl Harbor, when many Americans were still opposed to the idea of entering the war. Joe Simon has said he and Jack Kirby conceived of Cap partly as a political statement regarding their feelings on the subject. (Michael Chabon draws on this story for inspiration in his novel The Amazing Adventures of Kavalier & Clay, which is worth reading whether or not you’re a comic book fan — it’s a brilliant book.)

I really like that they decided to go the WWII flashback route and show Cap’s origins. This is a compelling story and it’s used to full effect in the film to show us everything that makes Steve such a special guy. Thor started out powerful and had to learn humility before he could become truly heroic; Steve Rogers earns his power by being noble almost to a fault. As Dr. Erskine tells Steve in the movie, he’s “not a perfect soldier, but a good man.”

The “goodness” which is Captain America’s most outstanding quality makes him one of Marvel’s most appealing characters, in my opinion, but also one of the most difficult to portray. It’s just a fact that in fiction, the evil/morally grey characters are often more interesting than the pillars of virtue. Look no further than X-Men: First Class for an example: Magneto blows everyone else out of the water. You can get around this “good = boring” problem by giving your shining hero a good enough problem to deal with. In Cap’s case, sometimes his solid character and strong principles become his problem; for example, Marvel’s Civil War storyline saw his belief in civil liberties lead him to take such a strong stand against the Superhuman Registration Act that he ended up in jail (and also dead, sort of). This is all fitting when you consider the character’s origin as Joe Simon and Jack Kirby’s statement against American hesitance to get involved in Europe’s problems. In the case of Captain America: The First Avenger, Cap’s problem is his desire to prove himself in an actual combat situation and to eliminate Dr. Erskine’s big mistake, the Red Skull. (By the end of the movie, his problem will be overcoming the effects of his 70-year nap … but that’s a topic for another film.)

Chris Evans, back in the Marvel Universe post-Fantastic Four, is excellent as Steve Rogers. I’m not sure how he manages to be so good as both the egotistical playboy Johnny Storm and the unfailingly polite and noble Captain America. Maybe he’s just likable. Whatever it is, I’m glad they found him for this role; I had a lot of trouble imagining who on earth could convincingly play Cap.

The rest of the cast is also great: Colonel Phillips is an ideal Tommy Lee Jones role, and the Red Skull is an ideal Hugo Weaving role. I like Hayley Atwell and I think she’s very good as Peggy Carter. It makes me a little sad that there’s only one female character in this whole movie, but I can forgive it due to the World War II setting. Plus, Peggy is quite a solid character: she’s very competent at her job and her relationship with Steve is appealing.

The other thing I like a lot about this movie is the visual style, particularly the muted colours. It reminds me a little of the Ed Brubaker and Steve Epting run on the Captain America comics, which I really enjoyed. Brubaker and Epting get a special thanks in the movie’s credits, so perhaps the filmmakers did indeed have their work in mind. Probably: the sequel to this film is called Captain America: The Winter Soldier; that title comes from a storyline in the Brubaker-Epting comics in which Bucky, thought dead in the comics and in this movie, returns as an assassin called the Winter Soldier, having been brainwashed by the Soviets. So that’s something to look forward to.

Another thing to look forward to: Cap becoming a Capsicle and then being brought back to life by SHIELD is the final piece of the Avengers puzzle. The other major piece revealed in this film is the Cosmic Cube, aka the Tesseract, which becomes the central MacGuffin in The Avengers. The post-credits scene for this film is actually a shortened scene from The Avengers, and it’s followed by a sort of mini-trailer for the movie all this has been leading up to.

But before we get to that, there’s still Ghost Rider: Spirit of Vengeance to get through.

Marvel Movies Project: Iron Man 2

Movie poster for Iron Man 2 (2010).

Iron Man was for the most part a movie about a guy building a fancy metal suit. Much of the movie consists of Tony Stark alone or nearly so, locked in a room (or cave) somewhere working on the Iron Man armour. By contrast, Iron Man 2 (2010) goes big: a crazed Russian villain, a rival arms manufacturer, US Senate hearings and a military plot to steal Tony Stark’s tech, car racing, Nick Fury (well before the end credits this time), drunken antics, Rhodey in armour, flashbacks of Howard Stark, an army of drones, Tony with a life-threatening case of blood contamination, and a mysterious new assistant for Pepper, who has taken over as CEO of Stark Industries.

It’s a lot. It’s almost too much, bringing the movie close to the level of clutter in other not-so-successful sequels like X-Men: The Last Stand and Spider-Man 3. However, while I don’t think this film is nearly as good as Iron Man, Iron Man 2 does manage to avoid disaster because all these elements actually work together towards the same goal: an exploration of Tony Stark’s pyschology.

Ivan Vanko’s rage at Howard Stark brings up the spectre of Tony’s difficult relationship with his father, who always seemed aloof and vaguely disappointed in his son. This feeling that he would never live up to his father led Tony to create his playboy persona, which he has raised to new heights of irresponsibility and arrogance because of his fear of an early death due to the blood contamination he’s suffering from overuse of the Iron Man suit. The resolutions for both these sources of inner drama are one and the same, as Howard speaks from beyond the grave to provide both paternal pride and the solution for his son’s illness.

The choice of John Slattery to play Howard Stark is a piece of genius: wouldn’t Roger Sterling (Slattery’s Mad Men character) get along famously with both Howard and Tony? The rest of the casting in Iron Man 2 is equally good. I don’t think anyone but Mickey Rourke could have played Vanko. The always excellent Sam Rockwell is hilariously smarmy as Justin Hammer. (I normally prefer Sam Rockwell to be more sexy and less gross, but oh well.) Don Cheadle replaces Terrence Howard as Rhodey, and, being Don Cheadle, he’s very good.

Am I forgetting someone? … oh right, there’s also Scarlett Johansson as Natalie Rushman, an employee at Stark Industries. Natalie turns out to be none other than Natasha Romanov, code name Black Widow, a SHIELD agent sent by Nick Fury to watch Tony Stark. Johansson’s role in this film isn’t huge, but she has a couple of memorable butt kicking scenes. She and Pepper also develop a good working relationship, which I appreciate: it was nice to see them not do the traditional “hot young woman becomes rival to threatened older woman; bitchiness ensues” plotline they seemed to be leading up to.

The introduction of Black Widow, a larger role for Nick Fury, and the reappearance of Agent Coulson — who casually mentions that he’s been called away to New Mexico on SHIELD business part-way through the movie

Thor's hammer appears in the post-credits scene for Iron Man 2.

— all serve as more buildup for The Avengers. When Iron Man 2 was released, the future existence of an Avengers movie had been confirmed and we knew Robert Downey Jr. and Scarlett Johansson would be in it. Thor was already being filmed, Chris Evans had just signed on to play Captain America, and Joss Whedon was rumoured to be in talks to direct The Avengers. The Marvel Cinematic Universe, first hinted at in Iron Man‘s awesome post-credits scene, was in full swing at this point. It was a good time to be a Marvel fan.

All Is Quiet, on New Year’s Day

The beginning of a new year always makes me feel like doing random things in the name of having a fresh start; for example, this morning I flipped all the cushions on my couch, which I would probably never think of doing on any other day, but hey — it’s a new year! I also refilled my salt shaker, opened up a new toothbrush, and started rereading the Harry Potter books again.

Now a brief look back on 2011. I did some good things: went to England, managed the HPreread. Got to know my toddler niece as she developed her personality. I rewatched The X-Files. This may not seem like a big deal to anyone else, but I’ve tried to do that three or four times before and have never made it past the first half of season six. In 2011, I did all nine seasons plus both movies. It felt like an accomplishment! I also did a good job of getting myself back in the habit of reading every day, and as consequence I read 65 books. To be fair, many of those were short and some were things I’d read before, but I’d count about 30 of them as solid new books. I think I managed my personal life fairly well. I had surgery to fix up a health problem I’d been dealing with for a while and took advantage of the fact that I have dental coverage through my job to get some much needed work done on my teeth. I paid all my bills and knocked a fairly big chunk off my student debt. I did well at my job. I tried to make smart decisions about how I spend money and on what. All in all, it was a good year.

I also took in some good culture. Here are a few best and worst of 2011 picks:

Music

I liked Florence + the Machine‘s debut album enough that I was really looking forward to the followup, Ceremonials, which turned out to be one of my favourite albums of the year. My picks for the best tracks: “What the Water Gave Me,” “Heartlines,” “Leave My Body,” “Only if for a Night,” “Never Let Me Go,” and “Shake It Out.”  But my most listened album of 2011 is undoubtedly Born This Way by Lady Gaga. It’s not perfect, but there are some truly great songs on there. The best, in my opinion, are “Heavy Metal Lover,” “Bloody Mary,” “Born This Way,” and “Hair.” “Hair” was easily my favourite song of the year. It’s so stupid, but so much fun.

My biggest musical disappointment of the year was Radiohead‘s King of Limbs. I never thought we’d reach the day when Radiohead made a bad album, but unfortunately it seems we have. It’s still possible King of Limbs will grow on me in the future. I hope so.

Movies

I was underwhelmed by the cinema of 2011 until July when I saw The Tree of Life, and I still think it was probably my favourite movie of the year. As I wrote at the time, I totally get why so many people hated it, but it really, really worked for me. I thought it was beautiful and brilliant, and it stayed with me for a long time after I saw it. Another movie that has stuck with me is the haunting Martha Marcy May Marlene, starring Elizabeth Olsen as a young woman who joins and then leaves a cult, but finds that she may never truly be able to escape. I’m not sure why this movie isn’t getting more awards buzz. Speaking of which, The Artist is just as good as people say. I found it very charming. In terms of more mainstream fare, I thoroughly enjoyed Captain America — everyone seems to have a preference between Cap and Thor and, while I enjoyed Thor, I think I was more drawn in by Captain America‘s period setting. I thought the filmmakers pulled that off very well. Plus, Chris Evans was wonderful, and Hugo Weaving made a terrific Red Skull.

Movies I didn’t like: The Descendants, which I am officially naming the most overrated movie of 2011, was just as boring and pretentious as I expected it to be given my hatred of Sideways and my general dislike of George Clooney in serious movies. Harry Potter and the Deathly Hallows, Part 2 annoyed me so much the first time I saw it that it almost put me off ever watching any of the HP movies again. Then I saw it a second time and liked it more, but I still have to say that the series was overall pretty disappointing — apart from the absolutely excellent casting.

Books

I think the only 2011 releases I read were The Night Circus by Erin Morgenstern and A Dance with Dragons by George R.R. Martin, both of which were great but fell just short of being truly outstanding. I read Martin’s entire Song of Ice and Fire series for the first time in 2011, and the third volume, A Storm of Swords, was most likely my favourite “new” (to me) book of the year. A low point in 2011 for me and probably for the world: I read all four Twilight books. Breaking Dawn created a whole new level of bad.

Television

The good: Fringe, The Good Wife, and The Vampire Diaries are the best things on television right now. I was overjoyed — overjoyed, I tell you! — by Smallville‘s series finale, which made me feel that the 10 years I spent watching that show were actually worthwhile. The second season of Boardwalk Empire also wrapped up in spectacular fashion.

The bad: I was disappointed when I heard One Tree Hill and Weeds, two shows that have really gone downhill, were being renewed. I finally stopped watching House.

The sad: No Mad Men.