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Marvel Movies Project: X-Men Origins: Wolverine

Movie poster for X-Men Origins: Wolverine (2009).

Hugh Jackman is back for a fourth go-round as Wolverine in X-Men Origins: Wolverine (2009). As the title suggests, this film focuses on Wolverine’s origins, which were previously hinted at in X2. Here, we see younger versions of several familiar characters as Wolverine becomes “Weapon X” and gets his skeleton upgraded from bone to adamantium.

Our story begins in northern Canada in 1845 because it turns out Wolverine is really that old, as is Sabretooth, apparently. In a surprise twist, Sabretooth, here going by his real name, Victor Creed, turns out to be Wolverine’s brother: in this version of events, it is revealed that Victor’s father is also Wolverine’s real father, even though Wolverine’s fake father is played by an actor who bears an uncanny resemblance to Hugh Jackman. Alright then.

After fathers real and fake both end up dead during a household dispute, Wolverine and Victor go on the run together. They become brothers in arms as well as in blood, and fight together in several wars: the US Civil War (despite being Canadian), World War I, World War II (they probably knew Captain America!), and finally Vietnam (again despite being Canadian). In Vietnam they meet Stryker — familiar to the audience from X2 — who invites them to be a part of an elite team of assassins, all of whom have “special skills,” which is to say they’re mutants. Wolverine becomes increasingly uncomfortable with the group’s activities and ultimately quits.

One of the countless pieces of useful life knowledge I’ve picked up from TV and the movies is that you should never join an elite team of assassins because chances are good that someday someone is going to decide it’s too risky to keep you alive. Indeed, this is what happens: Victor starts killing off the members of his old crew one by one. Wolverine has established a new life for himself back in his old Canadian stomping grounds: he’s a lumberjack, and he’s ok. But when Victor shows up and kills his lady love, Wolverine agrees to a deal with Stryker that will turn him into a stronger soldier and allow him to get revenge on Victor. And the rest is history.

The cast of X-Men Origins: Wolverine is large and includes some fairly big names, both real and fictional. A few well-known mutants — notably, Scott Summers, Emma Frost, and (surprise!) Professor X — appear briefly. In terms of celebrities from the real world, there’s multi-platinum recording artist will.i.am as John Wraith and Ryan Reynolds, here making his second attempt at a comic book movie, as Wade “Deadpool” Wilson. Poor Ryan Reynolds. Of all his superhero-related efforts, this is probably the best if only because Blade: Trinity and Green Lantern are both so wretchedly awful. Personally, I hate Deadpool in any form so I did not enjoy his performance here.

Also in the cast are a couple of actors known and beloved by certain audiences for their roles in iconic series: Dominic Monaghan — Merry in the Lord of the Rings movies and also Charlie on Lost — and Taylor Kitsch, who will always be Friday Night Lights‘ Tim Riggins to me. At the time Wolverine was released, I was really excited about the prospect of Riggins in an important role in this movie. It was disappointing, then, to find out how little screentime he actually has.

Most of the cast’s roles, in fact, are little more than cameos. But given the calibre of the people involved, it feels like this film was cast as an ensemble piece. Perhaps because of its association with the team-oriented X-Men movies, it was also marketed that way to an extent, with some of the posters featuring multiple characters. In reality, it’s almost a one-man show, with only Liev Schreiber (Victor) and Danny Huston (Stryker) coming anywhere close to matching Hugh Jackman’s screentime (oddly enough, Huston didn’t feature on any posters). To be fair, a one man show is what the title suggests.

But the result of having all these characters floating around not doing much is that the film suffers from a bit of overcrowding. It’s not as bad as X-Men: The Last Stand because all the minor characters are presented as, well, minor characters. Wolverine‘s problem is more comparable to the introduction of Gwen and Captain Stacy in Spider-Man 3: why hype the known names if you’re not going to use them?

Still, the movie is entertaining enough in a mindless sort of way. More notable from my perspective than the movie itself is the fact that I saw it being filmed. I was a student at the University of British Columbia when Wolverine was filming in Vancouver. The part about 10 minutes into the movie where Stryker’s team attacks a compound in Nigeria to find out where the adamantium comes from was filmed on campus, right outside the building where I had all my classes.

Image from X-Men Origins: Wolverine (2009).

They built a shantytown set like you see in that image (although in reality it wasn’t as big) outside the building. My friend and I wandered around trying to find out what was going on and she discovered it was for Wolverine. Then one night I was coming home from pub trivia and I saw a big crowd gathered around the area, which was all lit up. I went over to watch and I saw them do a few takes of some soldiers shooting at an unknown something represented by a green screen. Sadly, no stars were present. I did not get to see Hugh Jackman. It was pretty cool to see a Marvel movie in the flesh, though.

SMASH! and Trash: 2012 in Review

Happy New Year! Now that we’ve made it to 2013, it’s time to look back on 2012. It was an ok year. I don’t know that I accomplished much. I learned how to make books. I finished paying off my student debt! That was actually quite exciting. I went canoeing and walked a few of the trails in Algonquin Park. I was a good aunt. I visited Newfoundland, which was the only province I hadn’t been to before. But enough about my actual life: here’s my take on the year in pop culture.

Movies

Every year, I set a goal of watching 50 movies I haven’t seen before; I accomplished that in 2012 with a final tally of 108 movies. A personal highlight of the year in film for me was going to Toronto for the Toronto International Film Festival. This was something I’d been thinking about doing for a few years. I saw five films, including one of my favourites of the year (see below). If I can swing it, I’d definitely like to go back in 2013 and possibly see even more movies. Looking at the list of 2012 releases I saw, it seems I saw more movies I didn’t really care for than movies I loved. However, there were four standouts on both ends of the spectrum:

Best

1. The Avengers. I’d been looking forward to this movie ever since that amazing moment when Nick Fury showed up in the Iron Man post-credits scene. Marvel superheroes + Joss Whedon + the generally high quality of the Marvel Cinematic Universe movies = lots and lots of hype and expectations. I was living in fear of the possibility that The Avengers would be disappointing. Luckily for me, it wasn’t! At all! In fact, it was superb. It was one of the most awesome movies I’ve ever seen in my entire life and possibly the best thing to happen on Earth in 2012. A massive (they have a Hulk) and massively entertaining summer blockbuster.

2. Les Misérables. I only saw this last week so it’s possible my opinion will change after the movie sits with me for a while, but right now I’m totally enamoured with it; I liked it so much the first time that I went again the next day — that’s a pretty strong recommendation. I was obsessed with the musical as a teenager and admire the songs very much. All I wanted from the film was solid performances that captured the tone of the musical well, and it delivered. Everyone in the cast is great. The film, while not perfect, is a stirring and emotional experience that is as grand as the songs.

3. Argo. This is the one I saw at TIFF, and the one I’m going to be rooting for come Oscar time. (Sorry, Les Mis. I still love you the most.) It’s a tense thriller about U.S. relations with the Middle East, mixed with a comedy about the movie industry — a mix that works very well and is highly enjoyable. Ben Affleck has turned out to be an excellent filmmaker. I’m honestly surprised this movie wasn’t a bigger hit: it has all the makings of a real crowdpleaser.

4. The Hunger Games. Jennifer Lawrence and Josh Hutcherson shine as Katniss and Peeta in what I felt was a mostly successful adaptation of a book I like very much. The movie has suspenseful action as well as genuinely affecting emotional scenes plus all the terrible spectacle of the Capitol and the Games. The fact that a movie about the horrors of consumerism is now the centre of a vast moneymaking empire is of course a bit ironic, but oh well.

Worst

End of Watch. Vomit-inducing shakycam combined with lots of incoherent shouting. I remain convinced that this was originally pitched as a comedy and someone somewhere along the way accidentally took it seriously.

Cosmopolis. This was at least nine hours long. Why, David Cronenberg, why?

The Amazing Spider-Man. I liked this 10 years ago when it was just called Spider-Man and was actually amazing.

The Sessions. Heroic actor plays severely disabled person! Heroic actress no one’s thought about in years takes off clothes! “Well then,” say the critics, “it must be good.” No.

Music

I was really planning to make an effort to discover more new music in 2012, but alas. I failed quite miserably and basically spent the whole year listening to Florence + the Machine. The only new album I can say made an impact on me is Battle Born by The Killers. I’ve also been enjoying Muse’s The 2nd Law, particularly the unexpectedly beautiful song “Madness.”

As for the worst in music, I was dismayed by Tori Amos’ “new” album Gold Dust, which features orchestral “reimaginings” of some of Tori’s older songs. Sounds like an interesting idea … except that many of the songs included already featured orchestras in their original versions, which made me wonder what exactly the purpose of all this could be. The only thing I can think is that she’s actually run out of crappy new material to record so she’s decided to start destroying her good music, too. The horror, the horror.

Books

My biggest literary excitement of 2012 was no doubt the fact that two of my favourite authors, J.K. Rowling and Lemony Snicket, released new books within a couple of weeks of one another. Rowling’s The Casual Vacancy was a very good entry in the English country village genre; Snicket’s Who Could That Be at This Hour? takes us back into the world of A Series of Unfortunate Events for a look at the author’s youth. I enjoyed both, but I think my favourite book of the year was Such Wicked Intent, the second book in Kenneth Oppel’s The Apprenticeship of Victor Frankenstein series. Aside from drawing with great skill on the themes of Mary Shelley’s Frankenstein, Oppel brings in other influences — the main one being H.P. Lovecraft — and writes in a convincing Victorian style. I look forward to the final book in the series.

In the world of graphic novels, Jeff Lemire is my cartoonist of the year: I read both Essex County and The Underwater Welder in 2012 and have totally fallen in love with his art. Lemire’s strange and haunting Sweet Tooth is one of two comics I discovered and enjoyed catching up on this year, the other being Mike Carey’s very literary The Unwritten. I also continued making my way through Bill Willingham’s great series Fables, but I’m not caught up yet.

Television

I already covered the first part of 2012 quite extensively in my Memmys blog post so I won’t go on much here. In terms of things that have aired since I wrote that post, I felt Dexter returned to form this season. Yvonne Strahovski was a surprisingly good addition to the cast. Season 3 of Boardwalk Empire was also very impressive, and the most recent season of Survivor is probably one of its best ever, despite the presence of one of the all-time most irritating castaways (Abi, in case you weren’t sure).

I bade farewell to three old favourites as One Tree Hill, Weeds, and Gossip Girl made their final appearances. I discovered a couple of new to me, old to everyone else favourites in the utterly brilliant The Wire, the hilarious Community, and the very endearing Parks and Recreation. I rewatched Lost, and in doing so discovered that it works better the second time through. My rewatch cemented Lost as one of my top five favourite shows.

Finally, a couple of surprises, one good and one bad. Good: I am loving the newest season of Castle. I always thought it would annoy me if Castle and Beckett ever became a couple, but they’ve actually been really fun to watch. Bad: the final season of Fringe has been a real disappointment. I was so happy when it was renewed, but now that I’ve seen what they’re doing I will go so far as to say that unless the remaining episodes are mindblowingly amazing I will probably skip season 5 on any future Fringe rewatches I undertake. It’s a bummer.

So that’s 2012 in a nutshell. There is literally no chance that 2013 will be able to top The Avengers, but here’s hoping it provides some good stuff nonetheless.